On being a 'theatre virgin'.
Last year, in the middle of releasing a debut novel, mid-pandemic, with no marketing plan or budget, I blagged a surprise collaboration with Tasmanian playwright, Stephanie Briarwood, funded by TasWriters. The funding was part of a 'we'd better keep them alive and off the streets' strategy by government to avoid performers and other creatives from being seen in public, so, long-story-short, I co-wrote a kinda, sorta play - a speculative fiction narrative set in the near-future, in glorious down-town Burnie. Intended as a one-hour screenplay, Steph and I didn't know where the work would end up, so we were chuffed to be told Blue Cow were going to do a readthrough-performance - irl!
Watching their performance, and skills in action, was wonderful. Stephanie, a seasoned professional, cheerfully mocked me as a 'theatre virgin' when I misted up, made unexpectedly emotional by the characters evolving through their narratives. So, a huge thank you to all involved. I'd love to see the actors encore in an actual filmed version of that one day in the life of an illegal taxi driver, Hong Kong refugee, Wendy Chen, and her growing family of passengers. Anyone need a super low-budget, locally made 100% Tasmanian drama script?
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